Emilie Simon at (le) Poisson Rouge

June 2nd, 2009

emilie_simon

Its not every day I answer the phone and hear “Hi its Émilie Simon, do you have time to talk?” On last Sunday’s hot and steamy afternoon while all of you were (hopefully) out enjoying the seasonally appropriate weather (for once) I was chatting with Emilie on the phone.  The French song bird kicked off her Summer tour tonight, June 2nd at (le) Poisson Rouge and will come full circle and end at Highline Ballroom on July 23rd.  

emilie-simon-the-flower-bookWhat inspires you?  ”Today? Or in general?  I dont know, its my life, people, and feelings its more a communication of a lot of things that make you feel this way or that way.” For Émilie, the writing process happens wherever she is which might be one of the reasons her favorite place to go in New York City is the sidewalks.  You live in New York now, do you have any favorite places to go?  ”I like walking, so I am just walking in SOHO and the Lower East Side, I walk around alot”  The songstress has been on the scene since 2003 when she released her debut album Émilie Simon and claims one of her fondest things about her music career so far is the chance to see the world.   ”I get to do lots and lots of traveling for my music, I got to go to Japan and that was really cool.” Do You have a favorite place to play?  ”Last year I had a residency at the Cutting Room, and that was really great because you are there every week, it starts to feel like home.  I never had a bad experience in New York it is really, really nice every time I play some where.”    Where did the concept for “The Flowers” video come from?  ”It is very much like Tim Burton, the song is cute but freaky the girl is bringing flowers to the boys grave, I worked with this group called No Brain and it was actually their first music video ever.”  What is the last book and/or movie you saw?   ”Im actually reading a book from a friend of mine who also wrote some lyrics with me for the next album,  actually I dont know, i think its called Memoir of Mousier Frogger, I think, my friend’s name is Graham Joyce, and I don’t really have time to see movies.”

Émilie Simon, the scheduled headliner, opened up at (le) Poisson Rouge for Holiday Shores.  She was gracious and blasted out amazing vocals along with her new band. Tonight was their first show together ever.  Unfortunately none of the songs off her last album, Flower Book, made it into the set, but the crowd was wowed by the stellar new material.  After 45 minutes Emilie Simon called it a night and Holiday shores hit the stage looking fresh out of the van and played to a less than packed, slightly confused crowd.  Typical she is not, Emilie’s set felt like a tease. At least she left us yearning for more.  To me, that’s a brilliant artist.

Fujiya & Miyagi

February 20th, 2009

Fujiya & Miyagi played a packed house at (le) Poisson Rouge last Tuesday, February 17th.  The sold out show opened up with School of Seven Bells, playing their last show in New York before hitting the road. The trio played their shoe-gazing tunes to an accepting crowd that was seemingly there to spend a night dancing away from their NYU studies.  

Eager and excitable masses more than welcomed Fujiya & Miyagi as they took their place on stage chanting and dancing away to the 70′s infused krautrock.  The Brighton boys are on their tour through the U.S. until the end of March when they head to the UK to continue rockin’ out.  Catch them if you can!

fujiya-miyagifujiya&miyagi

fujiya-miyagi

fujiya & miyagi

Xiu Xiu

November 19th, 2008

xiuxiutasteco_h01The experimental pop band Xiu Xiu, which is pronounced shoe-shoe, will be playing tonight, Wednesday the 19th, at Le Poisson Rouge in New York City.  They released their sixth album this year titled, Women As Lovers. Singer songwriter Jamie Stewart formed the band in 2000 and took the name from the Chinese film Xiu Xiu: The Sent Down Girl, which translates into “heaven bath”.  This 1998 film, about a 15 year old girl who learns about life and love through a corrupted government where she is forced to submit her body for the sexual pleasure of officials, is not far swaying from the issues Stewart sings through his lyrics.  Poetry of suicide, war, love, lovelessness, and aids are woven into sounds of ambient noise and modern classical instrumentation.  In regards to their pop influence Jamie Stewart says, “all the songs are about sadness and trying to dance it away.”

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